“Una voce poco profonda”: Curtain up for Trouser Roles and Heroines
Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi!
“Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors)
OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)
with comments on the arias
information on the composer, the librettist, the work, the range and of versions or casting
a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot
an evaluation from the singer’s point of view
with “phonetic assistant” and “text assistant”
aria texts in the original language spoken by native speakers as an audio file (mp3)
aria texts in German and English translations as a text file (pdf) available for download.
Bellini: Dopo l'oscuro nembo (from Adelson e Salvini)
Bellini: Lieto del dolce incarco…Se Romeo t'uccise un figlio (from I Capuleti e i Montecchi)
Donizetti: E sgombro il loco...Un bacio ancora (from Anna Bolena)
Gounod: Faites- lui mes aveux (from Faust)
Mascagni: O pallida, che un giorno mi guardasti (from L'Amico Fritz)
Massenet: Va! Laisse couler mes larmes (from Werther)
Massenet: Werther! Werther!…Je vous écris de ma petite chambre (from Werther)
Meyerbeer: Nobles seigneurs, salut! (from Les Huguenots)
Mozart: Ah, scostati!...Smanie implacabili, che m'agitate (from Così fan tutte)
Mozart: Deh, per questo istante solo (from La Clemenza di Tito)
Mozart: Non so più cosa son, cosa faccio (from Le nozze di Figaro)
Mozart: Parto, parto, ma tu ben mio (from La Clemenza di Tito)
Mozart: Voi che sapete (from Le nozze di Figaro)
Offenbach: Portez armes...Vous aimez le danger…Ah! que j’aime les militaires! (from La grande-duchesse de Gérolstein)
Offenbach: Vois sous l'archet frémissant (from Les Contes d'Hoffmann)
Rossini: Di tanti palpiti (from Tancredi)
Rossini: Nacqui all'affanno, al pianto...Non più mesta (from La Cenerentola)
Rossini: Una voce poco fa (from Il barbiere di Siviglia)
Strauss, J, II: Ich lade gern mir Gäste ein (from Die Fledermaus)
Strauss, R: Sein wir wieder gut (from Ariadne auf Naxos)
Strauss, R: Wie du warst! Wie du bist! (from Der Rosenkavalier)
Thomas, Ambroise: Connais-tu le pays (from Mignon)
Thomas, Ambroise: Me voici dans son boudoir 'Gavotte' (from Mignon)
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