175 solo pieces from eight centuries
A huge collection of solo pieces from the 14th-21st centuries. With a wide range of styles and moods, this volume has something for everyone. The pieces are all at a moderate level of difficulty and are suitable for intermediate to advanced players.
- Anonymus (13. Jhd.): La manfredina
- Anonymus (13. Jhd.): La rotta della manfredina
- Anonymus (13. Jhd.): Quen a omagen da Virgen (L)
- Anonymus (13. Jhd.): Como poden (L)
- Anonymus (13. Jhd.): Saltarello (L)
- G. Bassano: Ricercata Terza
- G. Bassano: Ricercata Quarta
- A. Virgiliano: Ricercar come di sopra
- J.v. Eyck: Onse Vader in Hemelryck
- Anonymus: Woodycock
- J. Salter: Sechs Stücke aus „The gentel Companion“: Tell me Thirsis
- Remeber ye Wiggs
- Mr. Fardinels ground
- Could man his wish obtain
- Old Simon the King (L)
- The Kings health (L)
- J. Barr: Zwei Stücke aus „The Delightful Companion“: Fy nay preeche John (L)
- H. Purcell: Heers that will Chaling all the Faire
- Anonymus: Acht Stücke aus „The Compleat Flute Master“: New Allmand (L)
- Corant (L)
- An Entrie Danc’d by Mrs. Saintloe at the Theatre (L)
- [Gigue] (L)
- R. Courtville: Solo [1. Satz]
- [2. Satz]
- [3. Satz] Adagio
- [4. Satz] Slow (L)
- A. Ariosti: „Ah traditore“ aus der Oper „Vespasian“
- J. Clarke: Cibell (L)
- G. Finger: Prelude
- J.C. Pepusch: Prelude
- W. Gorton: Division
- J.D. Braun: Concerto
- G.P. Telemann: Fantasie Nr. 1 C-Dur: Vivace
- Allegro (L)
- J.S. Bach: Brandenburgisches Konzert Nr. 2, BWV 1047: 1. Satz, (ohne Satzbezeichnung)
- 2. Satz, Andante
- 3. Satz, Allegro assai
- J.S. Bach: Rondeau
- Anonymus (18. Jhd): Capricio
- Anonymus (18. Jhd): Menuett
- Anonymus (18. Jhd): Allemande
- Ampmy,is, Anf. 18. Jhd.: Neun Stücke aus „The Flute Master“: New March (L)
- Ghosts of ev’ry Occupation (L)
- Minuet (L)
- Gavot (1) (L)
- Gavot (2) (L)
- Gavot (3) (L)
- Brisk Air
- Allmand
- Spinning wheel Tune
- 13 Stücke aus „The Fifth Book of the New Flute Master“: G.B. Bononcini: Airietta
- Mr. Barrett: Round O (L)
- Aire (L)
- Jigg (L)
- Sarraband
- Corrant (L)
- Jigg
- J. Peasable: Sarraband (L)
- J. Peasable: Aire (L)
- Gavot
- Sarraband (L)
- G.B.Bononcini: Gavot
- Corrant (L)
- Anonymus, 1722: Sechs Stücke aus „The compleat Musick-Master Lessons for the Flute“: D. Demoivre: Rigadoon (L)
- D. Demoivre: Minuet (L)
- Mr. Cook: Ouverture
- Ayre (L)
- Running Boree (L)
- Ayre (L)
- Anonymus, London, ca. 1730: 40 Stücke aus „The Bird Fancyer’s Delight“: A proper Tune for a Linnet
- The Wood Lark (L)
- The Bull Finch
- Canary Bird (L)
- The Linnet (1)
- The Linnet (2) (L)
- Wood Lark (1)
- Wood Lark (2)
- Linnet (L)
- Parrot (L)
- Sky Lark (L)
- Nightingale (L)
- Canary Bird (L)
- Bull Finch (1)
- Bull Finch (2)
- Bull Finch (3) (L)
- Canary Bird
- The East India Nightingale (L)
- Bull Finch
- Linnet (L)
- Starling (L)
- Sky Lark (L)
- Bell Finch
- Sparrow
- Linnet (L)
- Canary Bird
- Trosill
- Bull Finch
- Canary Bird (1)
- Canary Bird (2)
- Starling (L)
- Bull Finch (L)
- Wood Lark
- Bull Finch
- Canary Bird
- Bull Finch
- Skie Lark (L)
- Parrot (L)
- Bull Finch (L)
- Nightingale (L)
- P.Prelleur, London, 1730: Sechs Stücke aus „The Modern Musick-Master or, The Universal Musician“: A. Scarlatti: An Air in Pyrrhus and Demetrius
- G.F.Händel: A Favourite Air in the Opera of Alexander (1726): Pregi son d’un alma grande
- G. F. Händel: Lusinghe piu care (aus: „Alexander“)
- G. F. Händel: A Favourite Minuet in Floridante
- Minuet (L)
- Minuet (L)
- D. Wright: Gregg’s Maggot (L)
- Anonymus: Miller of Mansfield (L)
- G.F. Händel: Air
- Anonymus: Fly swiftly ye Minutes
- Airs Anglois
- G. Bingham: Air (L)
- A. van Heerde: Boree (L)
- A. v. Heerde: Boree (L)
- A. v. Heerde: Jigg (L)
- A. v. Heerde: Sarabanda (L)
- Mr. Clark: Jigg (L)
- Anonymus: Air (L)
- D. Demoivre: Suite a-Moll: Allmand (L)
- Gavott (L)
- Saraband (L)
- Jigg (L)
- Bouree (L)
- Anonymus, 1750: 13 Stücke aus “The Compleat Tutor for the Flute“: Anonymus: Barberini’s Minuet (L)
- Anonymus: L. Cathcart’s Minuet (L)
- Anonymus: Lord Mark Kerr’s Minuet (L)
- Anonymus: I wish I may die if I do (L)
- Anonymus: Happy, happy, happy Pair (L)
- Anonymus: Noon-tide Air
- Anonymus: The Maiden’s Resolution
- Anonymus: O would’st thou know
- F. Manfredini: Manfredini’s Minuet
- Anonymus: Since Caelia’s unkind
- Anonymus: The Hungarian Minuet (L)
- Anonymus: Auretti’s Minuet (L)
- Anonymus: Marshall Saxe’s Minuet (L)
- Sieben Stücke aus „Verschnere Rejnvaen“ (1787): Bonny Kitty
- German Spa (L)
- La belle Jeanette (L)
- La nouvelle Provence (L)
- Werters Sonnet
- Never believe’en
- Bells of Abberdovey (L)
- Anonymus (18. Jhd.): Allemanda
- Anonymus (18. Jhd.): Giga
- F. Ruge: Capriccio
- J. Tacet: Prelude
- J. Wragg: Prelude
- E. Krähmer: Romanze-Andantino (L)
- E. Krähmer: Romanze
- E. Krähmer: Allegro
- E. Krähmer: Trauer-Marsch
- Musik des 20. und 21. Jahrhunderts: H. Genzmer: Interludium
- H. Genzmer: Improvisation VII
- H.U. Staeps: Presto possibile
- F. Radermacher: Greensleeves – Thema und Variationen
- H.-M. Linde: Ferne Flöte
- B. Heller: Glücklicher Moment (L)
- B. Heller: Weich (L)
- B. Heller: Luftblasen Nr. 1
- B. Heller: Luftblasen Nr. 2/Am Meer sitzen und nichts tun (L)
- B. Heller: Luftblasen Nr. 3
- E. Schneider: Dreamin’ backwards to my former times mistress
- K:v: Steenhoven: Grand Jig
- Giga Grandiosa
- X. Zimmermann: Mantra für Altblockflöte und Füße
- M.-C. Dieterich: Tag und Nacht
- N. Tarasov: Flip-Flop
- Anhang: Trillertabelle
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