In 1739 Bach’s Third Part of the Clavier Übung was published on 80 pages closely printed. Ever since then the collection has been regarded as a high point in the history of organ composition as it offers an impressive cross section of Bach’s artistry.
This present volume is an updated edition of Volume 4, Series IV, of the New Bach Edition, presented by Manfred Tessmer in 1969. A fully revised edition proved unnecessary, as there were relatively few corrections affecting the musical text. However, the volume now includes a detailed Preface by Christoph Wolff which discusses not only the work’s genesis but also offers an up-to-date description of the sources. For the new engraving of the musical text page-turns were reviewed and improved.
Bach’s autograph is considered lost and so the main source is the original print of the collection from 1739. In collaboration with the Leipzig Bach Archive and its database Bach digital this new edition includes links to two important copies of the original print which contain hand-written entries by Bach himself.
Any complete scholarly-critical edition of the works of Johann Sebastian Bach must, in the interest of its use by researchers and performers, incorporate intervening new discoveries wherever possible. With this in mind, Bärenreiter has entered an agreement with the Leipzig Bach Archive to reissue particular volumes as applicable, either in updated performing editions based on the New Bach Edition or in thoroughly revised editions based on the New Bach Edition - revised. In this way, each new performing edition will represent the cutting edge of research.
Further hallmarks of this new generation of Urtext editions will be detailed, up-to-date Prefaces and newly engraved musical texts with optimum page turns. Each volume will list incipits with links to the relevant manuscripts in Bach digital thereby enabling the user to gain quick access to the sources.
With altered readings integrated into the musical text taking into account new musicological evidence
With a new Preface (Ger/Eng) discussing this work and its sources by Christoph Wolff
Newly engraved and with improved page turns
Format: 24cm x 30.5cm
Bach, J S: Chorale Prelude BWV669 'Kyrie, Gott Vater in Ewigkeit'
Bach, J S: Chorale Prelude BWV670 'Christe, aller Welt Trost'
Bach, J S: Chorale Prelude BWV671 'Kyrie, Gott heiliger Geist'
Bach, J S: Chorale Prelude BWV672 'Kyrie, Gott Vater in Ewigkeit'
Bach, J S: Chorale Prelude BWV673 'Christe, aller Welt Trost'
Bach, J S: Chorale Prelude BWV674 'Kyrie, Gott heiliger Geist'
Bach, J S: Chorale Prelude BWV675 'Allein Gott in der Hoh sei Ehr'
Bach, J S: Chorale Prelude BWV676 'Allein Gott in der Höh' sei Ehr'
Bach, J S: Chorale Prelude BWV678 'Dies sind die heilgen zehn Gebot'
Bach, J S: Chorale Prelude BWV680 'Wir glauben all an einen Gott' ('Giant Fugue')
Bach, J S: Chorale Prelude BWV682 'Vater unser im Himmelreich'
Bach, J S: Chorale Prelude BWV683 'Vater unser im Himmelreich'
Bach, J S: Chorale Prelude BWV684 'Christ, unser Herr, zum Jordan kam'
Bach, J S: Chorale Prelude BWV685 'Christ, unser Herr, zum Jordan kam'
Bach, J S: Chorale Prelude BWV686 'Aus tiefer Not schrei ich zu dir'
Bach, J S: Chorale Prelude BWV687 'Aus tiefer Not schrei ich zu dir'
Bach, J S: Chorale Prelude BWV688 'Jesus Christus, unser Heiland'
Bach, J S: Chorale Prelude BWV689 'Jesus Christus unser Heiland'
Bach, J S: Duet No. 1 in E minor, BWV802
Bach, J S: Duet No. 2 in F major, BWV803
Bach, J S: Duet No. 3 in G major, BWV804
Bach, J S: Duet No. 4 in A minor, BWV805
Bach, J S: Fughetta super 'Allein Gott in der Höh' sei Ehr', BWV677
Bach, J S: Fughetta super 'Dies sind die heilgen zehen Gebot', BWV679
Bach, J S: Fughetta super 'Wir glauben all an einen Gott', BWV681
Bach, J S: Prelude & Fugue in E flat major, BWV552 'St Anne'
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