The well-known Liebeslieder op. 52, originally for piano four hands and voices ad libitum, appear here for the first time as a modern Urtext edition in a hitherto little-known form for voices and piano for two hands. Brahms made this arrangement himself in November 1874 after the conductor Hermann Levi, who had initially been commissioned, had rejected it. Brahms had previously immersed himself in the pieces again for the four-hand version without voice op. 52a, so that he was now able to create the new arrangement in a few days. Here, Brahms explicitly intended the voices no longer as "ad libitum," since the vocal parts are not completely incorporated in the piano part any more. In the spring of 1875, this version was published by Simrock, but it could not prevail against the popular original version and was presumably mainly performed in a domestic setting.
The present edition would like to invite musicians to rediscover, practically test and perform a still little-known form of the Liebeslieder op. 52.
01. Rede, Mädchen, allzu liebes
02. Am Gesteine rauscht die Flut
03. O die Frauen, wie sie Wonne tauen!
04. Die des Abends schöne Röte, möcht’ ich, arme Dirne, glüh’n
05. Die grüne Hopfenranke, sie schlängelt auf der Erde hin
06. Ein kleiner, hübscher Vogel nahm den Flug zum Garten hin
07. Wohl schön bewandt war es vorehe
08. Wenn so lind dein Auge mir und so lieblich schauet
09. Am Donaustrande, da steht ein Haus
10. O wie sanft die Quelle sich durch die Wiese windet
11. Nein, es ist nicht auszukommen mit den Leuten
12. Schlosser auf, und mache Schlösser
13. Vögelein durchrauscht die Luft
14. Sieh‘, wie ist die Welle klar, blickt der Mond hernieder!
15. Nachtigall, sie singt so schön, wenn die Sterne funkeln
16. Ein dunkeler Schacht ist Liebe
17. Nicht wandle, mein Licht, dort außen im Flurbereich!
18. Es bebet das Gesträuche
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